Astraea

In Greek mythology, Astræa or Astrea (Ancient Greek: Ἀστραῖα; English translation: "star-maiden") was a daughter of Zeus and Themis or of Eos and Astraeus. She and her mother were both personifications of justice, though Astræa was also associated with innocence and purity. She is always associated with the Greek Goddess of justice, Dike, who used to live on Earth but left, sickened by human greed.

Astræa, the celestial virgin, was the last of the immortals to live with humans during the sagacious Bronze Age (the third age, after the Utopian Golden Age and defective Silver Age) in the old Greek religion's five deteriorating Ages of Man. According to Ovid, Astraea abandoned the earth at the end of the Iron Age. Fleeing from the new wickedness of humanity, she ascended to heaven to become the constellation Virgo; the scales of justice she carried became the nearby constellation Libra, reflected in her symbolic association with Justitia in Latin culture. In the Tarot, the 8th card, Justice, with a figure of Justitia, can thus be considered related to the figure of Astræa on historical iconographic grounds.

According to legend, Astræa will one day come back to Earth, bringing with her the return of the utopian Golden Age of which she was the ambassador.

In culture and literature
Astræa's hoped-for return was referred to in a phrase from Virgil's Eclogue IV: "Iam redit et virgo, redeunt Saturnia Regna" (The Virgin and the Days of Old return).

During the European Renaissance, Astræa became associated with the general spirit of renewal of culture occurring at that time, particularly in England, where she became poetically identified in literature with the figure of Queen Elizabeth I as the virgin Queen reigning over a new Golden Age. In Spain she was often identified with the rule of Philip IV. A spectacle play by the Count of Villamediana and thirteen dramas by Calderon de la Barca introduce a character named Astræa to the foreground of political and astrological concerns. In Russia, Astræa was identified first with Elizabeth, then with Catherine the Great.

Astræa's departure from the earth at the end of Saturn's reign was memorialized by Ovid in the Metamorphoses, 1.149-50. The English epic poet Edmund Spenser further embellished this myth at the opening of Book V of The Faerie Queene (1596), where he claims that Astræa left behind 'her groome | An yron man', called Talus. Shakespeare refers to Astræa in Titus Andronicus, and also in Henry VI, part 1. In his most famous play, La vida es sueño, Calderon de la Barca has a character named Rosaura (an anagram for "dawns") take on the name of Astræa at Court. This may be a laudatory political allusion to the dawn of a new Golden Age under Philip IV/Segismundo.

"Astræa" is also the title of a poem by Ralph Waldo Emerson.

Astraea is also referenced in John Milton's epic poem Paradise Lost, in Book IV between lines 990 and 1000. When Satan is discovered in the Garden of Eden and brought before the Angel Gabriel, the two are on the verge of war. God (The Eternal) "Hung forth in Heaven his golden scales, yet seen Betwixt Astraea and the Scorpion sign, Wherein all things created first he weighed, the pendulous round Earth with balanced air In counterpoise, now ponders all events, Battles and realms."

The heavy metal band The Sword has also released a song called "Astraea's Dream" in their 2010 album Warp Riders.

Astraea is mentioned as a cursed Demon Soul in the 2009 video game Demon's Souls. She is the final boss of stage 5-3, protected by Garl Vinland. She has been cursed, in her purity, of discovering that God never existed, despite her devotion. She is lamented for being the purest of all souls, and yet at the same time, the most corrupt. 